Chinmayi defends AR Rahman amid Vande Mataram debate, Meerra responds

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Chinmayi defends AR Rahman amid Vande Mataram debate, Meerra responds

Music composer AR Rahman faced criticism on social media following remarks in a recent interview. Singer Chinmayi Sripada and actor Meerra Chopraa have publicly come to his defense online.

Published by Somesh | January 18, 2026

Music composer AR Rahman has sparked widespread discussion following remarks in a recent interview, leading to criticism on social media. The controversy intensified when a journalist claimed to be offended after Rahman allegedly declined to performVande MataramorMaa Tujhe Salaamduring an interview, prompting reactions from both critics and supporters.

Singer Chinmayi Sripada defended Rahman, disputing the journalist’s narrative. She stated, “AR Rahman and all of us sangVande Mataramto a crowd that chanted with us on November 23, 2025, in Pune at the R K Laxman Memorial Award concert.” She highlighted Rahman’s consistent inclusion of patriotic music in his performances and suggested that any refusal to sing on a previous occasion could have been due to personal reasons, such as not feeling his voice was at its best. Chinmayi encouraged the public to avoid jumping to conclusions, saying, “The responses under this tweet ‘OH THAT EXPLAINS IT’ shows exactly what’s gone wrong in the recent past.”

Actor Meerra Chopraa, involved in the filmGandhi Talkswith music by Rahman, also spoke in his support. She emphasised his global recognition, stating, “Only two Indians have truly taken India to the global stage in a way the whole world recognises — Priyanka Chopra and AR Rahman. Trolling him for something he didn’t even mean is not just wrong, it’s disgraceful. Respect the legend. He’s the one who composed the most iconic #VandeMataram.”

The debate follows Rahman’s interview with BBC Asian Network, where he discussed his experiences in the Hindi music industry over the past eight years. He noted that changes in the industry had limited his opportunities, stating, “It might be a communal thing also but it is not in my face.” He also voiced concerns about trends in contemporary film music, citing films likeChhaavaas relying on divisive tropes and critiquing the repetitive use of religious phrases in negative contexts.

The discussion highlights broader questions about artistic freedom, audience expectations, and the responsibility of public figures. As the debate unfolds, industry peers are calling for a balanced and respectful evaluation of Rahman’s contributions and statements.